Music

Were the World Mine

Were the World Mine poster A color drenched, winning musical film-fantasy of a struggling gay teen, Timothy (Tanner Cohen), whose spirit soars when his eccentric teacher casts him as Puck in A Midsummer Night’s Dream.

After magically discovering the play’s love-potion, Timothy puckishly begins to turn his closed-minded town gay - including casting a love spell on the town’s stunning jock - with hilarious and unexpected results. After he reluctantly restores the town’s free will, he is amazed with the surprising results.

If you could magically make someone love you, would you?

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Talento de Barrio

Talento de Barrio poster Daddy Yankee, stars as Edgar Dinero, a misunderstood product of the slums of Puerto Rico who becomes torn between the street life of his childhood neighborhood and his ambition to become something more. Entangled within the strong ties of a violent barrio underworld, Dinero falls for a girl who brings positivity to his life. He then decides to conceal his connection to the hood from her. Soon, Edgar has the opportunity to make a run for it, but he fears he will never be able to hide from the scores of corrupt cops or shake the full-blown turf war that consumes his crew. Dinero is asked the ultimate question: Will he succumb to the violence of the barrio, or will he listen to the beat of his heart and fulfill his goal of becoming a star in his own right?

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Gogol Bordello Non-Stop

Gogol Bordello Non-Stop poster From the birth of a New York City downtown Ruso-disco phenomena, known as the Bulgarian Bar, to a non-stop touring marathon, with his band Gogol Bordello, Eugene Hütz takes us deep into his artistic foundation.

Gogol Bordello Non-Stop unfolds from 2001 to 2006, following Gogol’s steps from underground legends to international attention.

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Black Metal: The Norwegian Legacy?

Black Metal: The Norwegian Legacy? In Black Metal: The Norwegian Legacy? Bill Zebub explores some of the subjects much deeper than usual.

The reason why the title includes the questionThe Norwegian Legacy? is that many Swedes have criticized Norwegian black metal for being inspired by Bathory, which was a Swedish band.

Expect to see plenty of amazing footage. But don’t expect to see a regurgitation of the same story repeated endlessly in false documentaries and by the charletans of the media.

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We Are Together

We Are Together poster Filmed over three years, We Are Together tells the remarkable and moving story of a group of children who use music to overcome hardship and loss. It is the story of an orphanage, unlike one you’ve ever seen before, and of the drive of these remarkable young singers and their teachers to make it to London for a series of concerts.

Life has not been easy for 12-year-old Slindile, her siblings and her friends at the Agape Orphanage in South Africa, where most of the children have lost their parents to AIDS. But they are still kids and teenagers, bashful around boys, squabbling with each other. And when they lift their voices in song, something extraordinary happens.

As the kids at Agape orphanage continue to train for what they hope will be their big break, Slindile and her siblings are hit with more hard news - their oldest brother Sifiso, who has been sick for months, has AIDS.

With unforgettable kids, soaring music and a plot full of surprises, We Are Together arrives as a stirring and uplifting theatrical documentary.

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Once Upon a Time in Norway

Once Upon a Time in Norway poster Once Upon a Time in Norway is an all-Norwegian documentary focusing on the early years of Norwegian Black Metal, from the start of Mayhem to the infamous period of the early nineties. It consists of interviews with Necrobutcher, Manheim, Messiah, Nocturno Culto, Tchort, Neddo, Gunnar Sauerman, Rolf Rasmussen, and others.

The film premiered at BIFF, the Bergen International Film Festival mid October 2007.

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Heavy Load

Heavy Load poster Heavy Load is Lewes’ answer to the Ramones, a punk outfit subject to the inflammatory mix of ego, fantasy, and desire that fuels any emerging band. They’re also, uniquely, made up of musicians with and without learning disabilities, which makes the band’s survival a precarious negotiation between two different worlds: on the one hand the institutional timetable of day centres, work placements and social workers; on the other the chaotic slacker life of rehearsal rooms, studios and gigs.

Specialising in thrash covers of late 70’s punk – or punk versions of recent pop, Heavy Load is unlikely to have a top ten hit. ‘We like to take a classic song’ says guitarist Mick, ‘and crucify it’. Their cacophonic reinterpretation of Kylie’s Can’t Get You Out Of My Head possesses a frenzied anarchy that bears no resemblance to the disco original. Their howled version of the Troggs’ Wild Thing adds a psychotic menace that makes you forget that this was once a love song. On stage the band fizz with an energy that belies the expectations the world has of the ‘spaz’ or the ‘moron’ or the ‘idiot’. They survive through a combination of raucous energy, attitude and sheer volume.

Shot over two years when the band record their first album The Queen Mother’s Dead, the film is a comedy of conflicting ambitions capturing the sweat and romance of playing in a band as they move out of the ghetto of disability club nights to test whether their dreams can survive in the mainstream.

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Repo! The Genetic Opera

Repo! teaser poster Set in the 2056, Repo! The Genetic Opera, tells the story of an epidemic of organ failures that devastates the planet, killing tens of millions. Out of the tragedy, a savior emerges: GeneCo, a biotech company that offers organ transplants… for a price.

The Teaser

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The Trailer

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CSNY Déjà Vu

CSNY Déjà Vu poster Since their debut in the late ’sixties, Crosby, Stills, Nash and Young have functioned as the “town criers” of their generation. With songs like “Ohio” and “Find the Cost of Freedom”, CSNY were in the forefront of Vietnam-era protest and anti-war sentiment. Though fondly remembered for their harmonies and love songs, the band has never lost their political edge.

CSNY: Déjà Vu finds the band heading out on their “Freedom of Speech 2006″ of North America, featuring music from Neil Young’s controversial “Living With War” CD. With “Embedded” reporter, Mike Cerre, aboard, the film documents audience reactions to the music and the band’s ongoing connection with its fans, all against the backdrop of the Iraq/Afghanistan War. The film also examines events surrounding the Tour in the crucial election season of 2006. Songs from the Tour are woven together with archival material, news footage, and audience reaction and observations, as the film examines the issues surrounding the integration of politics and art.

The Trailer

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Global Metal

Global Metal poster In Global Metal, directors Scot McFadyen and Sam Dunn set out to discover how the West’s most maligned musical genre – heavy metal – has impacted the world’s cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world’s emerging extreme music scenes — from Indonesian death metal to Chinese black metal to Iranian thrash metal. Global Metal reveals a worldwide community of metalheads who aren’t just absorbing metal from the West – they’re transforming it. Creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.

The Trailer

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